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        1994

        1. Rakim
        2. Persian Love Song
        3. Desert Song
        4. Yulunga
          Spirit dance
        5. Piece for Solo Flute
        6. The Wind that Shakes the Barley
        7. I Am Stretched On Your Grave
        8. I Can See Now
        9. American Dreaming
        10. Cantara
        11. Oman
        12. Song of the Sibyl
        13. Tristan
        14. Sanvean
        15. Don't Fade Away

          Lisa Gerrard: voice, yang ch'in, percussion

          Brendan Perry: voice, 12 string guitar, percussion, Irish bouzouki, d whistle

          Robert Perry: uillean pipes, Irish bouzouki, low d whistle, percussion

          John Bonnar: keyboards, voice, percussion

          Ronan O'Snodaigh: percussion, voice

          Andrew Claxton: keyboards

          Lance Hogan: bass guitar, 6 string guitar, percussion, voice

          recorded and mixed by Guy Charbonneau (Le Mobile Remote Recording)
          assistant audio engineer: Charlie Bouis

          recorded live at The Mayfair Theatre, Santa Monica, California
          front cover photography: Linda Connor courtesy of Paul Kopeikin Gallery, Los Angeles
          art direction: Chris Bigg
          design and other photography: Darren Woolford & Tim Vary @ VWX

          This is the soundtrack from the film Toward the Within - Dead Can Dance, available on 4AD/Warners Home Video



    • Lyrics

      • 7. I Am Stretched On Your Grave

          I am stretched on your grave
          And will lie there forever
          With your hands held in mine
          I'd be sure we'd not sever
          My apple tree my brightness
          'Tis time we were together
          For I smell of the earth
          And am stained by the weather

          When my family thinks
          That I'm safe in my bed
          From night until morning
          I am stretched at your head
          Calling out to the air
          With tears both hot and wild
          Oh I grieve for the girl
          That I loved as a child

          The priests and the friars
          Behold me in dread
          Because I still love you
          My love and you're dead
          I would still be your shelter
          From rain and from storm
          And with you in your cold grave
          I cannot sleep warm

        8. I Can See Now

          Ever loved a woman who made you feel tall?
          Ever loved a man who made you feel small?

          If you were a sailor
          I'd raise the anchor
          To sail the sea
          In search of you and me
          And god

          Conjures currents to break our fragile boats
          And both the innocent and the damned
          Are swallowed up in his wake

          If you were a huntress
          I'd be your bow
          For your silver arrows
          To seek out his heart

          Ever loved a woman who made you feel tall?
          Ever loved a man who made you feel small?

          Who are you to complain
          For lack of understanding?
          We are all created equal
          In just one thing alone

          Alone in your thoughts that ??? you through your life
          They'll take you outwards to the dark edge of time
          And there's nothing more dangerous
          Than a man with nothing to lose
          Nothing to live for
          And nothing to prove

        9. American Dreaming

          I need my conscience to keep watch over me
          To protect me from myself
          So I can wear honesty like a crown on my head
          When I walk into the promised land

          We've been too long American dreaming
          And I think we've all lost the way
          Forlorn somnambulistic maniacal in the dark

          I'm in love with an American girl
          Though she's my best friend
          I love her surreptitious smile
          That hides the pain within her

          And we'll go dancing in the rings of laughter
          And live along by the shores
          ???

          Yeah-ee, on the lea the rising wind blows
          Fay-hee, on the lea the rising wind blows
          How long how long?

          ??? in the grounds of ??? we've left behind
          Turned back by the foot of the doorway
          Never lost and found

          We've been too long American dreaming
          I think we've all lost the heart
          ??? somnambulistic maniacal in the dark

          Yeah-ee, on the lea the rising wind blows
          Fay-hee, on the lea the rising wind blows
          How long how long?

        11. Oman

          From the body to the soul
          Where our hearts lead we must go
          Wherever love may flow

        15. Don't Fade Away

          Don't fade away
          My brown-eyed girl
          Come walk with me
          I'll fill your heart with joy
          And we'll dance through our isolation
          Seeking solace in the wisdom we bestow
          Turning thoughts to the here and everafter
          Consuming fears in our fiery halos

          Say what you mean
          Mean what you say
          I've heard that innocence
          Has led us all astray

          But don't let them make you and break you
          The world is filled with their broken empty dreams
          Silence is their only virtue
          Locked away inside their silent screams

          But for now
          Let us dance away
          This starry night
          Filled with the glow of fiery stars
          And with the dawn
          Our sun will rise
          Bringing a symphony of bird cries

          Don't bring me down now
          Let me stay here for awhile
          You know life's too short
          Let me bathe here in your smile
          I'm transcending
          The fall from the garden

          Goodnight


      Other


      • I Am Stretched On Your Grave
        Traditional verse--King/S. O'Connor

          I am stretched on your grave
          And will lie there forever
          If your hands were in mine
          I'd be sure we'd not sever
          My apple tree my brightness
          It's time we were together
          For I smell of the earth
          And am worn by the weather

          When my family thinks
          That I'm safe in my bed
          From night until morning
          I am stretched at your head
          Calling out to the air
          With tears both hot and wild
          My grief for the girl
          That I loved as a child

          Do you remember
          The night we were lost
          In the shade of the blackthorn
          And the chill of the frost
          Thanks be to Jesus
          We did what was right
          And your maidenhood still
          Is your pillar of light

          The priests and the friars
          Approach me in dread
          Because I still love you
          My love and you're dead
          I still would be your shelter
          Through rain and through storm
          And with you in your cold grave
          I cannot sleep warm

          So I'm stretched on your grave
          And will lie there forever
          If you hands were in mine
          I'd be sure we'd not sever
          My apple tree my brightness
          It's time we were together
          For I smell of the earth
          And am worn by the weather

        The Unquiet Grave

          I am stretched on your grave, and you will find me there always; if I had the bounty of your arms I should never leave you. Little apple, my beloved, it is time for me to lie with you; there is the cold smell of clay on me, the tan of the sun and the wind.

          There is a lock on my heart, which is filled with love for you, and melancholy beneath it as black as the sloes. If anything happens to me, and death overthrows me, I shall become a fairy wind-gust down on the meadows before you.

          When my family thinks that I am in my bed, it is on your grave I am stretched from night till morning, telling my distress and lamenting bitterly for my quiet lovely girl who was bethrothed to me as a child.

          Do you remember the night when you and I were under the blackthorn tree, and the night freezing? A hundred praises to jesus that we did nothing harmful, and that your crown of maidenhood is a tree of light before you!

          The priests and the monks every day are angry with me for being in love with you, young girl, when you are dead. I would be a shelter from the wind for you and protection from the rain for you; and oh, keen sorrow to my heart that you are under the earth!


          From the book entitled 'A Celtic Miscellany', Penguin Books, Penguin Classic Edition 1951.
          This is an early set of lyrics for the tradtional Irish folk song, 'The Unquiet Grave', which Brendan Perry sings as 'I Am Stretched on Your Grave'. This is a prosaic interpretation of a Gaelic written song. Of interest here are the lyrics that Brendan and Sinead O'connor do not sing.


        Tristan

          The following insight thanks to Sean Devine (sdev@GCI-NET.COM) and Patrick Burke (burke@UCLA.EDU):

          The passage that Lisa Gerrard sings at the end of "Tristan" is from Gottfried von Strassburg's "Tristan und Isolde" first published ca.1210:

          "nein" dahter allez wider sich
          "No," thought he, all against himself,
          "la stan, Tristan, versinne dich,
          "Leave [her] alone, Tristan, consider [this,]/come to your senses,
          niemer genim es keine war."**
          It was never easy for anyone."
          so wolte et ie daz herze dar;**
          The heart would ever have it so; (approx.)
          wider sinem willen crieget er,
          He gets the opposite of what he wills, (lit.: Contrary to his will he receives.).
          er gerte widerr,siner ger:
          He desired against his own desire. (Or even: He strove against his own lust; Er gehrte gegen seine Gier.).

          Note that "herze" is neuter, so "er" apparently refers to Tristan again (although heart would seem to be logical, too). Also the verb tenses at the end do appear to be mixed, as I have written them, although "krieget" could be a past form clipped for metrical purposes.

          **: line ommited from DCD version. These two lines (11747-8) are the generic, moralizing ones, so DCD include only the ones that relate most directly to Tristan. Maybe.

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